Bach Bibliography Search Result - Ordered Chronologically

Author : Cressy, Thomas
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Cressy, Thomas:   Bahha: Bach and Japan. [p]BNUK_Cambridge (Jul 2015) A paper presented at the dialogue session 'Young Scholars' Forum' at the Seventh J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 8-10 July 2015.
	2.	Cressy, Thomas:   The Case of Bach and Japan: Some Concepts and their Possible Significance. UnderstandingBach 11 (2016), 140-146. Young Scholars' Forum. http://bachnetwork.co.uk/ub11/ub11-cressy.pdf
	3.	Cressy, Thomas:   19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. diss. (2017), 123, 70, 2p. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract.
	4.	Cressy, Thomas:   Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. [p]BNUK_Cambridge (Jul 2017) A paper presented at the 'Young Scholars' Forum' at the Eighth J. S. Bach Dialogue Meeting at Madingley Hall, Cambridge, 10-15 July 2017.
	5.	Cressy, Thomas:   The Reception and Dissemination of Bach's Music in Meiji-Era Japan: Repertoire, Social Agency, and Westernization. [p]IMS_Tokyo (Mar 2017) A paper read at the 20th Congress of the International Musicological Society, Tokyo 2017 [19-23 March 2017]. Session 'Music Pioneers in Modern Japan'